{"id":1824,"date":"2026-08-05T10:00:06","date_gmt":"2026-08-05T14:00:06","guid":{"rendered":"http:\/\/newportoperahouse.com\/?page_id=1824"},"modified":"2026-08-05T13:46:04","modified_gmt":"2026-08-05T17:46:04","slug":"audition-information","status":"publish","type":"page","link":"http:\/\/newportoperahouse.com\/?page_id=1824","title":{"rendered":"AUDITION  INFORMATION FOR CLUE"},"content":{"rendered":"<p style=\"text-align: left;\"><span style=\"font-family: impact, sans-serif; font-size: 32px; color: #000000;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 28px; color: #000000;\"><strong>The Newport Opera House Association Presents<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 28px; color: #000000;\"><strong>Auditions for <em>Clue<\/em><\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Based on the screenplay by Jonathan Lynn<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"><strong>Written by Sandy Rustin<br \/>\nAdditional material by Hunter Foster and Eric Price<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"><strong>Based on the Paramount Pictures motion picture and the Hasbro board game<\/strong><\/span><\/p>\n<p><strong><span style=\"color: #000000;\">Director: Robert M. Hallisey Jr.<\/span><\/strong><\/p>\n<p><span style=\"color: #000000;\"><strong>Audition Dates<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"><strong>Tuesday &amp; Wednesday, September 8 &amp; 9, 2026<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"><strong>7:00 PM<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">Newport Opera House<\/span><br \/>\n<span style=\"color: #000000;\">20 Main Street<\/span><br \/>\n<span style=\"color: #000000;\">Newport, NH<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Callbacks (if needed):<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"><strong>Thursday, September 10, 2026 \u2013 7:00 PM<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Performance Dates:<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"><strong>November 13, 14 &amp; 15, 2026<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">*********************************************<\/span><\/p>\n<p><span style=\"font-size: 20px; color: #000000;\"><strong>About the Show<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">Was it Miss Scarlet in the library with the candlestick? Or Colonel Mustard in the study with the wrench?<\/span><\/p>\n<p><span style=\"color: #000000;\">Based on the beloved board game and the cult-classic film, <em>Clue<\/em> is a fast-paced, laugh-out-loud murder mystery packed with eccentric characters, hilarious twists, and nonstop physical comedy. Set in a mysterious mansion in 1954, six suspicious guests arrive for an unusual dinner party\u2014only to find themselves tangled in a web of blackmail, secrets, and murder. As the bodies pile up, everyone becomes a suspect!<\/span><\/p>\n<p><span style=\"color: #000000;\">Whether you&#8217;re a seasoned performer or trying community theatre for the first time, <em>Clue<\/em> offers an exciting opportunity to be part of a hilarious ensemble production.<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">*********************************************<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 20px; color: #000000;\"><strong>Audition Information<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">Auditions will consist of <strong>cold readings from the script<\/strong> with other auditionees on stage. No prepared monologue is required.<\/span><\/p>\n<p><span style=\"color: #000000;\">Because <em>Clue<\/em> is an ensemble comedy, most readings will be done in groups. <strong>Please plan to arrive as close to 7:00 PM as possible<\/strong> so you can participate in the group audition process.<\/span><\/p>\n<p><span style=\"color: #000000;\">Those auditioning are welcome to attend <strong>both Tuesday and Wednesday evening auditions<\/strong>, although it is <strong>not necessary<\/strong> to be considered for casting. On the second evening, preference will be given to those who have not yet auditioned.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Callbacks<\/strong>, if needed, will be held on <strong>Thursday, September 10<\/strong>, and <strong>may not include everyone being considered for roles.<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">*********************************************<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 20px; color: #000000;\"><strong>Character Notes<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">The characters may be inspired by the classic board game, the Paramount Pictures film, or a combination of both. Every character should be portrayed as <strong>larger than life<\/strong>, embracing the show&#8217;s broad comedy, colorful personalities, and quick pacing.<\/span><\/p>\n<p><span style=\"color: #000000;\"> Character ages are intentionally flexible, with roles suitable for actors who can convincingly portray adults ranging from their mid-20s to 60s. While no specific ages are assigned, each character has a colorful past that suggests a certain level of maturity\u2014some with more history than they&#8217;d care to admit!<br \/>\n<\/span><\/p>\n<p><span style=\"color: #000000;\">Accents are not required but are encouraged where appropriate. For example:<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\"><strong>Wadsworth<\/strong> \u2013 English accent<\/span><\/li>\n<li><span style=\"color: #000000;\"><strong>Yvette<\/strong> \u2013 French accent<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\">Feel free to experiment with an accent if it helps you bring the character to life.<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">*********************************************<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 24px; color: #000000;\"><strong>Characters<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>WADSWORTH<\/strong> \u2013 A traditional British butler in every sense: proper, meticulous, and determined to keep the evening under control&#8230; if only the guests would cooperate.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>YVETTE<\/strong> \u2013 A flirtatious French maid with a flair for dramatic entrances and plenty of secrets of her own.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>MISS SCARLET<\/strong> \u2013 Clever, confident, and quick-witted. She always seems to know more than she&#8217;s willing to admit.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>MRS. PEACOCK<\/strong> \u2013 The wife of a prominent politician. Nervous, excitable, and prone to dramatic outbursts.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>MRS. WHITE<\/strong> \u2013 Mysterious, pale, and dryly humorous. A widow with an unusually unfortunate history involving husbands.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>COLONEL MUSTARD<\/strong> \u2013 A blustering military man with confidence to spare and perhaps more bravado than brains.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>PROFESSOR PLUM<\/strong> \u2013 An intellectual who is charming, self-important, and always convinced he&#8217;s the smartest person in the room.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong style=\"font-size: 16px;\">MR. GREEN<\/strong><span style=\"font-size: 16px;\"> \u2013 A timid, anxious rule follower who finds himself in completely over his head.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>THE COOK<\/strong> \u2013 The mansion&#8217;s cook. A small but memorable role.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>THE SINGING TELEGRAM GIRL<\/strong> \u2013 A brief but unforgettable appearance.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>MR. BODDY<\/strong> \u2013 A slick operator, a film noir-esque type fella.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>THE MOTORIST<\/strong> \u2013 A stranded traveler seeking help.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>THE CHIEF OF POLICE<\/strong> \u2013 Determined to make sense of the chaos.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>THE UNEXPECTED COP<\/strong> \u2013 Another law enforcement officer who arrives with impeccable timing.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Note: <\/strong>Some of the supporting roles may be cast with the same actor or actress.<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">*********************************************<\/span><\/p>\n<p><span style=\"font-size: 20px; color: #000000;\"><strong>Join the Fun!<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Whether you&#8217;re hoping to land one of the iconic roles or simply want to experience the excitement of community theatre, we&#8217;d love to see you at auditions!<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/newportoperahouse.com\/wp-content\/uploads\/NOHA-CLUE-AUDITION-FORM.pdf\"><strong>NOHA CLUE AUDITION FORM<\/strong><\/a><\/p>\n<p><span style=\"color: #000000;\"><strong>Production Team:<\/strong><strong><u><br \/>\n<\/u><\/strong>Director: Robert M. Hallisey Jr.<\/span><br \/>\n<span style=\"color: #000000;\">Stage Manager: Don Boxwell<\/span><br \/>\n<span style=\"color: #000000;\">Assistant Stage Managers: Laura Thompson and Dawn Holcombe<\/span><br \/>\n<span style=\"color: #000000;\">Scenic Designer: Hugh Thompson<\/span><br \/>\n<span style=\"color: #000000;\">Producer: Laura McCrillis Kessler<\/span><\/p>\n<p><span style=\"color: #000000;\">Questions?<\/span><br \/>\n<span style=\"color: #000000;\">Please email \u00a0<a style=\"color: #000000;\" href=\"mailto:info@newportoperahouse.com\">info@newportoperahouse.com<\/a><\/span><\/p>\n<p><span style=\"color: #000000;\">NewportOperaHouse.com<\/span><\/p>\n<table class=\"aligncenter\" dir=\"ltr\" style=\"width: 100%; height: 656px;\" border=\"1\" cellspacing=\"0\" cellpadding=\"0\" data-sheets-root=\"1\" data-sheets-baot=\"1\">\n<colgroup>\n<col width=\"199\" \/>\n<col width=\"591\" \/>\n<col width=\"82\" \/>\n<col width=\"115\" \/>\n<col width=\"70\" \/>\n<col width=\"86\" \/><\/colgroup>\n<tbody>\n<tr style=\"height: 16px;\">\n<td style=\"height: 16px; 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Hallisey Jr.&hellip; <a href=\"http:\/\/newportoperahouse.com\/?page_id=1824\">Continue reading&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":1818,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1824","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/newportoperahouse.com\/index.php?rest_route=\/wp\/v2\/pages\/1824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/newportoperahouse.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/newportoperahouse.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/newportoperahouse.com\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/newportoperahouse.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1824"}],"version-history":[{"count":6,"href":"http:\/\/newportoperahouse.com\/index.php?rest_route=\/wp\/v2\/pages\/1824\/revisions"}],"predecessor-version":[{"id":27714,"href":"http:\/\/newportoperahouse.com\/index.php?rest_route=\/wp\/v2\/pages\/1824\/revisions\/27714"}],"up":[{"embeddable":true,"href":"http:\/\/newportoperahouse.com\/index.php?rest_route=\/wp\/v2\/pages\/1818"}],"wp:attachment":[{"href":"http:\/\/newportoperahouse.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}